Mid-Century Modern PJ-R-16-A File Rack by Pierre Jeanneret, Chandigarh, 1960s

Description

Here we see the principle of the Japanese wabi-sabi, which refers to embracing imperfections and underlining impermanence. The relationship between … more Here we see the principle of the Japanese wabi-sabi, which refers to embracing imperfections and underlining impermanence. The relationship between the partitions and the outline ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. Both tension and harmony create a unity. All parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in cognac colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. The item is engraved on the side with lettering, which makes it more valuable. Chandigarh items are famous for A-shaped legs. Many desks, chairs, armchairs, and sideboards have these legs, so the pieces remind us of sturdy structural constructions, such as bridge pillars that carry their weight, or some of Le Corbusier’s buildings. The A-shaped legs have sharper corners and are strict and sturdy in their geometry. Their angle and position show that Pierre Jeanneret, together with Jean Prouvé and Le Corbusier, had a structural, not decorative, expression. The dimensions of the partitions and the organization correspond with the proportions of the item. They are elevated from the ground, which makes this playful composition even more balanced. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials and warm colours. As a file rack, it stands proudly in any area of your space. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, 'Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture' (Paris: Gourcuff Gradenigo, 2011), 595. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution less