Details
- Dimensions
- 27.56ʺW × 17.32ʺD × 16.93ʺH
- Period
- 1950s
- Country of Origin
- India
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Rattan
- Teak
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Brown
- Condition Notes
- Patina Consistent with Age and Use,Completely Restored,Surface Has Been Refinished Patina Consistent with Age and Use,Completely Restored,Surface Has Been Refinished less
- Description
-
Here we see the principle of the Japanese wabi-sabi, which refers to embracing imperfections and underlining impermanence. Rustic aspects, simplicity, …
more
Here we see the principle of the Japanese wabi-sabi, which refers to embracing imperfections and underlining impermanence. Rustic aspects, simplicity, modesty, and austerity offer a humble and honest beauty. The object exudes an aura. It’s not about the shape or about the material; its auratic quality comes out of its depth, giving a strong presence with an almost ritualist intensity. Not many design pieces offer that unusual quality. The surfaces are done in cane. Contrasting the massive wooden parts, which frame it nicely, cane expresses a lightness with its transparency. The geometrical patterns of the canework create a charming shadowscape. We do the caning like it was done in Chandigarh. We use durable and thicker cane. All massive wood parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in whiskey colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. The item is engraved on the side with lettering, which makes it more valuable. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials and warm colours. As a chest, it can be used for storage, or even as a side table, becoming a nice detail in every space. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, 'Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture' (Paris: Gourcuff Gradenigo, 2011), 596. I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution less
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