Details
- Dimensions
- 74.02ʺW × 36.61ʺD × 17.72ʺH
- Period
- 1950s
- Country of Origin
- India
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Fabric
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Brown
- Condition Notes
- Patina Consistent with Age and Use,Reupholstered,Completely Restored,Surface Has Been Refinished Patina Consistent with Age and Use,Reupholstered,Completely Restored,Surface Has Been Refinished less
- Description
-
This object exudes an aura. It’s not about the shape or about the material; its auratic quality comes out of …
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This object exudes an aura. It’s not about the shape or about the material; its auratic quality comes out of its depth, giving a strong presence with an almost ritualist intensity. Not many design pieces offer that unusual quality. It is a one-of-a-kind piece – unique and outstanding, it holds a museum exhibit quality. An artefact for collectors and connoisseurs. A piece without any compromises. Highly valuable, rarely even offered by auction houses. All massive wood parts are authentic. They are done in indian teak. Rich in texture, the wood is vivid and comes in cognac colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. Chandigarh items are famous for a-shaped legs, also known as compass legs. On the inner side, the edges are sharper, while the outer edges are rounded. The legs are a unique structure that frames the void between them while distributing the weight of the object. Here it is obvious that pierre jeanneret, together with jean prouvé and le corbusier, had a structural, not decorative, expression. The upholstery is redone in a traditional way. As wire springs were used for the original seat, we upholstered it accordingly. Unlike the initial upholstery of chandigarh items in skai, this has been redone in high-end corduroy designed by famous designer hedi slimane. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials. By itself, this masterpiece is an eye-catcher, enriching each interior. P! galerie’s selection is mainly focused on rare french mid-century modern design artefacts by pierre jeanneret, jean prouvé, le corbusier, and charlotte perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a unesco-designated world heritage site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: eric touchaleaume and gerald moreau, 'le corbusier pierre jeanneret: the indian adventure, design-art-architecture' (paris: gourcuff gradenigo, 2011), 591-2. Edition galerie patrick seguin, 'le corbusier, pierre jeanneret: chandigarh, india' (paris: galerie patrick seguin, 2014), 282. I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution less
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