Dietikon, CH
Details
- Dimensions
- 55.12ʺW × 29.53ʺD × 31.5ʺH
- Period
- 1950s
- Country of Origin
- India
- Item Type
- Vintage, Antique or Pre-owned
Shop Sustainably with Chairish
- Materials
- Leather
- Teak
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Brown
- Condition Notes
- Patina Consistent with Age and Use,Reupholstered,Completely Restored,Surface Has Been Refinished Patina Consistent with Age and Use,Reupholstered,Completely Restored,Surface Has Been Refinished less
- Description
-
Here the silhouette is strong. It is presented through the outline and shape of the piece. The sofa embodies minimalist …
more
Here the silhouette is strong. It is presented through the outline and shape of the piece. The sofa embodies minimalist design principles, characterized by a clear shape and simplified form with subtle detailing. It is reduced to the minimum. Compared to most minimalist design of the last 30 years, which is just a superficial attitude, here we can see that it is seeking something essential in an unspoiled way. All massive wood parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in whiskey colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. Chandigarh items are famous for A-shaped legs, also known as compass legs. On the inner side, the edges are sharper, while the outer edges are rounded. The shape of the legs illustrates the weight they carry. Here it is obvious that Pierre Jeanneret, together with Jean Prouvé and Le Corbusier, had a structural, not decorative, expression. The upholstery is redone in a traditional way. As foam was used for the original seat, we upholstered it accordingly. Unlike the initial upholstery of Chandigarh items in skai, this has been redone in high-end cow hides in blue colour. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a stronger character due to its geometry. As a sofa, it is an uncompromising piece wherever placed. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, 'Le Corbusier, Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture' (Paris: Gourcuff Gradenigo, 2011), 565-6. Edition Galerie Patrick Seguin, 'Le Corbusier, Pierre Jeanneret: Chandigarh, India' (Paris: Galerie Patrick Seguin, 2014), 146, 283. I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution less
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