PJ-BU-08-A Student Desk by Pierre Jeanneret, 1960

Description

This item expresses a specific rawness. There is no need for precise execution or the desire to appear sophisticated. It … more This item expresses a specific rawness. There is no need for precise execution or the desire to appear sophisticated. It is simple, self-evident, and direct. It is made out of basic elements, illustrating a new language: essential and cleared of everything irrelevant. Each piece is slightly different, where the imprecision and imperfection offer an enriching quality. Signs of age, patina, and the traces of use enhance the character of this piece. All massive wood parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in cognac colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. This desk has an original massive tabletop, which is very rare. The surface has been treated with shellac. The item is engraved on the back with lettering, which makes it more valuable. Chandigarh items are famous for A-shaped legs. Many desks, chairs, armchairs, and sideboards have these legs, so the pieces remind us of sturdy structural constructions, such as bridge pillars that carry their weight, or some of Le Corbusier’s buildings. The A-shaped legs have sharper corners and are strict and sturdy in their geometry. Their angle and position show that Pierre Jeanneret, together with Jean Prouvé and Le Corbusier, had a structural, not decorative, expression. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials and warm colours. As a desk, it finds its place in any space. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, 'Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture' (Paris: Gourcuff Gradenigo, 2011), 573. Edition Galerie Patrick Seguin, 'Le Corbusier, Pierre Jeanneret: Chandigarh, India' (Paris: Galerie Patrick Seguin, 2014), 161. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution less