Dietikon, CH
Details
- Dimensions
- 63.39ʺW × 1.18ʺD × 62.99ʺH
- Period
- 1950s
- Country of Origin
- India
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Cotton
- Teak
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Black
- Condition Notes
- Patina Consistent with Age and Use,Completely Restored,Surface Has Been Refinished Patina Consistent with Age and Use,Completely Restored,Surface Has Been Refinished less
- Description
-
The object exudes an aura. It’s not about the shape or about the material; its auratic quality comes out of …
more
The object exudes an aura. It’s not about the shape or about the material; its auratic quality comes out of its depth, giving a strong presence with an almost ritualist intensity. Not many design pieces offer that unusual quality. The piece embodies minimalist design principles, characterized by a clear shape and simplified form with subtle detailing. It is reduced to the minimum. Compared to most minimalist design of the last 30 years, which is just a superficial attitude, here we can see that it is seeking something essential in an unspoiled way. All massive wood parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in cognac colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. Frames are shaped so they are getting wider in the middle zone. The cotton inside them has been replaced. It comes in black colour. The screen is foldable. I personally like using this screen as a space divider with a sculptural quality. It brings a specific atmosphere into the setting. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, 'Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture' (Paris: Gourcuff Gradenigo, 2011), 597. Edition Galerie Patrick Seguin, 'Le Corbusier, Pierre Jeanneret: Chandigarh, India' (Paris: Galerie Patrick Seguin, 2014), 289. I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution less
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