Details
- Dimensions
- 22.83ʺW × 22.44ʺD × 33.46ʺH
- Period
- 1950s
- Country of Origin
- India
- Item Type
- Vintage, Antique or Pre-owned
Shop Sustainably with Chairish
- Materials
- Fur
- Teak
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Brown
- Condition Notes
- Patina Consistent with Age and Use,Reupholstered,Completely Restored,Surface Has Been Refinished Patina Consistent with Age and Use,Reupholstered,Completely Restored,Surface Has Been Refinished less
- Description
-
The chair has a strong silhouette which is conceived in sharp geometry of its elements. Its powerful presence exudes a …
more
The chair has a strong silhouette which is conceived in sharp geometry of its elements. Its powerful presence exudes a regal energy akin to that of a throne, conveying a sense of strength and firmness. All massive wood parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in chocolate colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. Chandigarh items are famous for A-shaped legs. Many desks, chairs, armchairs, and sideboards have these legs, so the pieces remind us of sturdy structural constructions, such as bridge pillars that carry their weight, or some of Le Corbusier’s buildings. The A-shaped legs have sharper corners and are strict and sturdy in their geometry. Their angle and position show that Pierre Jeanneret, together with Jean Prouvé and Le Corbusier, had a structural, not decorative, expression. The upholstery is redone in a traditional way. As foam was used for the original seat, we upholstered it accordingly. Unlike the initial upholstery of Chandigarh items in skai, this has been redone in high-end cow hides in teal colour. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them an inviting, though sharp, touch. As a chair, it is usable for dining and working, supporting the back nicely. The upholstered pieces offer comfort in a joyful manner, while firmly framing the occupant within. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, 'Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture' (Paris: Gourcuff Gradenigo, 2011), 232-3, 563-4. Edition Galerie Patrick Seguin, 'Le Corbusier, Pierre Jeanneret: Chandigarh, India' (Paris: Galerie Patrick Seguin, 2014), 158-9, 162, 283. I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution less
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