Charles Long, Digital Iris Print "An Ideadic Camera" Pencil Signed with Initials edition of 15, 1998

Description

This is for the one print listed here.
Internalized Page Project Vol II. color Iris digital prints on paper, each … more This is for the one print listed here.
Internalized Page Project Vol II. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed & published by Muse X, Los Angeles.
1998
in the collection of MoMA where it is described as a digital print

Born in 1958 in Long Branch, New Jersey, Long currently lives and
works in California.Education B.F.A., University of the Arts, Phila,
PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale
University, New Haven, CT. Since then, the artist has received a
number of honors and awards, most recently the 2008 Award of Merit
Medal for Sculpture from the American Academy of Arts and Letters in
New York. He currently teaches as a professor in the Art Department at
the University of California, Riverside.
Long’s work has been the subject of major exhibitions worldwide. His
most important solo presentations include CATALIN at The Contemporary
Austin in Texas (2014), Fountainhead, a public commission in Dallas,
Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at
Madison Square Park in New York City (2012), Seeing Green, a solo
project in conjunction with All of this and nothing: The 6th Hammer
Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100
Pounds of Clay at Orange County Museum of Art in California (2010),
and More Like a Dream Than a Scheme at David Winton Bell Gallery at
Brown University in Rhode Island, which traveled to SITE Santa Fe in
New Mexico (2005). His work has been included in many significant
museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum
of American Art New York; Open Ends, The Museum of Modern Art; NYC.
Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo;
Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City;
ART/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney;
Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color:
Excursions in Color Field Art, AGO/Art Gallery of Ontario, Canada;
Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA;
The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture
Garden, Washington D.C. SculptureCenter in New York, Museum of
Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn
Museum and Sculpture Garden in Washington, D.C., Institute of
Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other
museums.Long's sculptures have explored the abstract autonomous art
object as a psychological investigation into the nature self and
others and have been made from diverse media such as coffee grounds,
rubber and hair from Abraham Lincoln. He has collaborated with pop
musicians such as Stereolab, Mark Mothersbaugh of Devo and with the
renown choreographer Merce Cunningham. Since his relocation from NYC
to LA Long's work has been inspired by the Los Angeles River which
runs adjacent to his studio. Each year, after the furious flood
season, a verdant and abundant growth of grasses, thickets, and trees
emerges from the discarded office furniture, bedsprings, and shopping
carts that get washed into the concrete channel providing a providing
a dwelling for mallards, osprey, crayfish and heron. Captivated by the
river and inspired by its unbiased intermingling of these elements,
Long creates photographs, video and sculpture in and about the river
and the myriad of imagery and meanings it offers.
His work is represented in important public and private collections
worldwide, including those of the Museum of Modern Art in New York,
Philadelphia Museum of Art, St. Louis Art Museum in Missouri, Walker
Art Center in Minneapolis, Magasin 3 Stockholm Konsthall, Museum of
Contemporary Art, Chicago, Whitney Museum of American Art, New York,
Hirshhorn Museum and Sculpture Garden, Louisiana Museum of Modern Art
in Denmark, and the Fogg Art Museum at Harvard University in
Cambridge, MA.
He is the recipient of a Guggenheim Fellowship, two NEA Grants, two
Pollock-Krasner Grants and a Louis Comfort Tiffany grant. Long has
taught at the California Institute of the Arts, Art Center College of
Art and Design, Otis College of Art and Design and Harvard University. less