Surfside, FL
Details
- Dimensions
- 37.5ʺW × 0.5ʺD × 29.5ʺH
- Styles
- Abstract Expressionism
- Art Subjects
- Abstract
- Frame Type
- Framed
- Artist
- Antoni Tàpies
- Period
- Early 20th Century
- Item Type
- Vintage, Antique or Pre-owned
Shop Sustainably with Chairish
- Materials
- Aquatint
- Etching
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Brown
- Condition Notes
- Good framed. a bit loose in frame. needs to be rehinged. size includes frame. please see photos. Good framed. a bit loose in frame. needs to be rehinged. size includes frame. please see photos. less
- Description
-
Size includes frame. There is a plate impression at the image that leads me to believe this is an aquatint. …
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Size includes frame. There is a plate impression at the image that leads me to believe this is an aquatint.
Antoni Tàpies i Puig, 1st Marquis of Tàpies (Catalan: 13 December 1923 – 6 February 2012) was a Spanish painter, sculptor and art theorist, who became one of the most famous European artists of his generation.
Antoni Tàpies Puig was born in Barcelona on 13 December 1923. Tàpies was first introduced to contemporary art as he entered secondary school in 1934. He saw a famous Christmas issue of the magazine, D’ací i d’allà, which contained reproductions of works by artists such as Marcel Duchamp, Georges Braque, Kandinsky, and Pablo Picasso. At 17, Tàpies suffered a near-fatal heart attack caused by tuberculosis. He spent two years as a convalescent in the mountains, reading widely and pursuing an interest in art that had already expressed itself when he was in his early teens.
Tapies studied at the German School of Barcelona. After studying law for 3 years, he devoted himself from 1943 onwards only to his painting. In 1945 Tàpies began experimenting with more materials. He would mix oil paint with whiting. At this time he also became increasingly interested in philosophy, especially that of Sartre as well as Eastern thought. He became known as one of Spain's most renowned artists in the second half of the 20th century. His abstract and avant-garde works were displayed in many major museums all over the world. In 1954 Tàpies married Teresa Barba Fabregas. Together they had three children Antoni, Miguel and Clara. He lived mainly in Barcelona and was represented by the Galerie Lelong in Paris and the Pace Gallery in New York.
In 1948, Tàpies helped co-found the first Post-War Movement in Spain known as Dau al Set which was connected to the Surrealist and Dada Movements. The main leader and founder of Dau al Set was the poet Joan Brossa. The movement also had a publication of the same name, Dau al Set. Tàpies started as a surrealist painter, his early works were influenced by Paul Klee and Joan Miro; but soon become an informal artist, working in a style known as pintura matèrica, in which non artistic materials are incorporated into the paintings. In 1953 he began working in mixed media; this is considered his most original contribution to art. One of the first to create serious art in this way, he added clay and marble dust to his paint and used waste paper, string, and rags (Grey and Green Painting, Tate Gallery, London, 1957). Canvas Burned to Matter from c. 1960, in the collection of the Honolulu Museum of Art, is an example of the artist's mixed media assemblages that combine the principles of Dada and Surrealism.
Tàpies' international reputation was well established by the end of the 1950s. From the late 1950s to early 1960s, Tàpies worked with Enrique Tabara, Antonio Saura, Manolo Millares and many other Spanish Informalist artists. In 1966 he was arrested at a clandestine assembly at the University of Barcelona; his work of the early 1970s is marked by symbols of Catalan identity (which was anathema to Franco). In 1974 he made a series of lithographs called Assassins and displayed them in the Galerie Maeght in Paris, in honour of regime critic Salvador Puig Antich's memory. From about 1970 (influenced by Pop art) he began incorporating more substantial objects into his paintings, such as parts of furniture. Tàpies's ideas have had worldwide influence on art, especially in the realms of painting, sculpture, etchings and lithography. Examples of his work are found in numerous major international collections. His work is associated with both Tachisme and Abstract Expressionism.
The paintings produced by Tàpies, later in the 1970s and in the 1980s, reveal his application of this aesthetic of meditative emptiness, for example in spray-paint painted canvases with linear elements suggestive of Oriental calligraphy, in mixed-media paintings that extended the vocabulary of Art informel, and in his oblique allusions to imagery within a fundamentally abstract idiom, as in Imprint of a Basket on Cloth (1980). Among the artists' work linked in style to that of Tàpies is that of the American painter Julian Schnabel as both have been connected to the art term "Matter".
From 1947 Tàpies also produced graphic work. He produced collector’s books and dossiers in association with poets and writers such as Alberti, Bonnefoy, Du Bouchet, Brodsky, Brossa, Daive, Dupin, Foix, Frémon, Gimferrer, Guillén, Jabès, Mestres Quadreny, Mitscherlich, Paz, Saramago, Takiguchi, Ullán, Valente and Zambrano.
Throughout the span of his life Antoni Tàpies has been associated with a number movements such as Art Informel and Haute Pâte or Matter Painting. In the late 1960s into the early 1970s Tàpies began to be influenced by the movement of Pop Art. Because of this he began using larger items, such as pieces of furniture, in his works.
In 1950, Tàpies' first solo show was held at the Galeries Laietanes, Barcelona, and he was included in the Carnegie International in Pittsburgh.
In 1953 he had his first shows in the United States, at the Marshall Field Art Gallery in Chicago and the Martha Jackson Gallery in New York.
In 1962 he was given the opportunity to have a Guggenheim Retrospective.
Some of his other retrospectives were presented at the Musée National d'Art Moderne, Paris, in 1973 and at the Albright-Knox Art Gallery, Buffalo, New York, in 1977.
Later he was the subject of retrospective exhibitions at the Jeu de Paume in Paris in 1994.
Kestnergesellschaft in Hannover in 1998.
In New York, 2000, he had an exhibition at the Pace Wildenstein which consisted of multimedia paintings as well as small bronzes and assemblages.
The Museo Nacional Centro de Arte Reina Sofía in Madrid in 2000, and was exhibited at the Anita Shapolsky Gallery in New York City in 2006, 2012, and 2014.
In 2007 at the age of 83, Tàpies had an exhibition at Pace Wildenstein where he showed 17 paintings done on wood as well as canvas.
In 2017, Nahmad Contemporary in New York presented the exhibition Tàpies: Paintings, 1970–2003.
'Antoni Tàpies. Objects'. Until February, 2018 at Fundació Antoni Tàpies museum, Barcelona
Legacy
Tàpies was awarded in 1958 the First Prize for painting at the Pittsburgh International, and the UNESCO and David E. Bright Prizes at the Venice Biennale.
In 1958 Tàpies, along with Eduardo Chillida, represented Spain in the Venice Biennale.
He received the Rubens Prize of Siegen, Germany, in 1972.
In the Academic Sphere, he received an Honorary Doctorate from the Rovira i Virgili University in 1994.
In 2003 Tàpies won Spain's most prestigious art award, the Velázquez prize.
On 9 April 2010, he was raised into the Spanish nobility by King Juan Carlos I with the hereditary title of Marqués de Tàpies (Marquis of Tàpies)
He published work and showed at the famous Galerie Maeght in Paris, A gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. less
Surfside, FL
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