1985 Lithograph "Mille Et Une Nuits (Planche 1)" (1001 Nights, Plate 1) After Marc Chagall

Description

1985 lithograph (limited edition of 333) "Mille et une Nuits (Planche 1)" (1001 Nights, Plate 1), after the famous 1948 … more 1985 lithograph (limited edition of 333) "Mille et une Nuits (Planche 1)" (1001 Nights, Plate 1), after the famous 1948 print by Marc Chagall commissioned by the artist's family after his death. Bears a S.P.A.D.E.M. dry stamp. Société de la Propriété Artistique et des Dessins et Modèles (Society for Artistic Property and Designs and Models). S.P.A.D.E.M. was a copyright protection society formed by visual artists and their heirs in France. Printed on Arches vellum paper. Numbered in pencil and signed in stone. Presented in a 6-ply conservation mat. Mat size: 19-5/8 x 15-3/4 inches; print size: 9 x 7 inches.

Marc Chagall (1887 – 1985), was a Russian-French artist. He developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony. While on a visit home, the outbreak of World War I trapped Chagall in Russia, and did not return to France until 1923. Chagall was forced to flee the country and Nazi persecution during World War II, leaving France in May 1941, when it was almost too late. During his asylum in the United States, Chagall became involved in set and costume design before returning to France in 1948. Ironically, it was these non-easel works that caused his artwork to become more widely recognized. Fusing his own personal, dreamlike imagery with hints of the Fauvism and Cubism, Chagall created a highly recognizable style outside that of any movement. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Perhaps the most famous of these are the two enormous murals he painted in 1966 for the then new Metropolitan Opera House, entitled "The Triumph of Music" and "The Sources of Music". The murals are now considered among New York's most important treasures. They are large enough to be visible from Broadway across the plaza of Lincoln Center. Due to his long, productive life of 98 years, Chagall was the last survivor of the first-generation European modernists, outliving Joan Miró by two years. less