Early 1900s Edward Curtis Photogravure, Arikara Medicine Ceremony, Framed

Description

Edward Sheriff Curtis (American, 1868-1952). "Arikara Medicine Ceremony - Dance of the Fraternity" Portfolio plate no. 158. Large format supplementary … more Edward Sheriff Curtis (American, 1868-1952). "Arikara Medicine Ceremony - Dance of the Fraternity" Portfolio plate no. 158. Large format supplementary plate for "The North American Indian" from copyright photograph 1908 by E.S. Curtis. Photogravure produced in Boston by John Andrew & Son. "Arikara Medicine Ceremony - Dance of the Fraternity" was part of Edward Curtis' epic 20 volume project to document Native Americans threatened by Westward expansion in the United States entitled "The North American Indian" (1907-1930) - a masterwork that experts have estimated would cost more than $35 million to create today. The accompanying text for this plate reads as follows, "After each order has performed its dance about the sacred cedar, the entire fraternity, group by group, emerges from the lodge and dances." With "Arikara Medicine Ceremony - Dance of the Fraternity" Curtis invites the viewer to explore the complexity of the Cheyenne's cultural traditions and their context. Size (photogravure): 11.8" L x 15.3" W (30 cm x 38.9 cm) Size (frame): 20.375" L x 23.75" W (51.8 cm x 60.3 cm)
To learn more about Curtis' impressive undertaking, please read Gilbert King's article in Smithsonian Magazine. It opens as follows, with King brilliantly capturing Curtis' urgency and steadfast work ethic to document the indigenous peoples before expansion would potentially eclipse their cultures, "Year after year, he packed his camera and supplies—everything he’d need for months—and traveled by foot and by horse deep into the Indian territories. At the beginning of the 20th century, Edward S. Curtis worked in the belief that he was in a desperate race against time to document, with film, sound and scholarship, the North American Indian before white expansion and the federal government destroyed what remained of their natives’ way of life. For thirty years, with the backing of men like J. Pierpont Morgan and former president Theodore Roosevelt, but at great expense to his family life and his health, Curtis lived among dozens of native tribes, devoting his life to his calling until he produced a definitive and unparalleled work, The North American Indian. The New York Herald hailed as 'the most ambitious enterprise in publishing since the production of the King James Bible.'" ("Edward Curtis’ Epic Project to Photograph Native Americans" by Gilbert King - Smithsonian Magazine March 21, 2012)
While Curtis has had his critics who have claimed that he romanticized the natives' existence, others have argued that he was ahead of his time and depicted them with dignity and respect. In her book entitled, "Shadow Catcher: The Life and Work of Edward S. Curtis" (Bison Books, 2005) Laurie Lawlor wrote, "When judged by the standards of his time, Curtis was far ahead of his contemporaries in sensitivity, tolerance and openness to Native American cultures and ways of thinking. He sought to observe and understand by going directly into the field." less