Details
- Dimensions
- 20ʺW × 1ʺD × 38.5ʺH
- Styles
- Pop Art
- Art Subjects
- Pop Culture
- Sport
- Frame Type
- Unframed
- Artist
- Claes Oldenburg
- Period
- 1960s
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Lithograph
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Black
- Condition Notes
- Near mint condition with strong, bold colors on thick archival Arches paper. Near mint condition with strong, bold colors on thick archival Arches paper. less
- Description
-
CLAES OLDENBURG Double Punching Bag, 1967
Artist: Claes Oldenburg
Title: Double Punching Bag
Lithograph in two colors on cream, thick, … more CLAES OLDENBURG Double Punching Bag, 1967
Artist: Claes Oldenburg
Title: Double Punching Bag
Lithograph in two colors on cream, thick, slightly textured Arches paper.
Year: 1967
Signature in plate CO 67/ Atelier Mourlot.
Printed by Atelier Mourlot, New York.
Medium: Lithograph
Paper Size: 38.5 x 20 inches ( 97.79 x 50.8 cm )
Image Size: 38.5 x 20 inches ( 97.79 x 50.8 cm )
Edition Size: 500
Framed: No
Condition: A: Mint
With his saggy hamburgers, colossal clothespins and giant three-way plugs, Claes Oldenburg has been the reigning king of Pop sculpture since the early 1960s, back when New York was still truly gritty. In 1961 he rented a storefront, called it The Store, and stocked it with stuffed, crudely-painted forms resembling diner food, cheap clothing, and other mass-manufactured items that stupefied an audience accustomed to the austere, non-representational forms in Abstract Expressionist sculpture. These so-called "soft-sculptures" are now hailed as the first sculptural expressions in Pop art. While his work has continued to grow in scale and ambition, his focus has remained steadfast: everyday items are presented on a magnified scale that reverses the traditional relationship between viewer and object. Oldenburg shrinks the spectator into a bite-sized morsel that might be devoured along with a giant piece of cake, or crushed by an enormous ice pack. His work shows us just how small we are, and serves as a vehicle for his smart, witty, critical, and often wickedly funny insights on American culture over the past half-century. less
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