Gorgeous, accomplished western canyon landscape with distinct foreground and background coloration by Cyrus Bates Currier (American, 1868-1946). Signed lower left …
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Gorgeous, accomplished western canyon landscape with distinct foreground and background coloration by Cyrus Bates Currier (American, 1868-1946). Signed lower left corner: "Currier." Presented in a giltwood frame with linen liner and gold filet. Image: 8"H x 10"W. His father was the Cousin of Nathaniel Currier of Currier and Ives. please see my matching painting by Cyrus Bates Currier, makes an excellent pair display.
Cyrus Bates Currier was born in Marietta, OH on Dec. 13, 1868. He was an illustrator, landscape painter and designer.
Currier studied in Paris at Académie Julian and with Alphonse Mucha, William-Adolphe Bouguereau and Jean-Joseph Benjamin-Constant. He settled in Los Angeles about 1919 and lived there until his death Sept. 27, 1946.
He was the brother of artist Edward W. Currier. Member: Salmagundi Club. FId; SCA; AAA 1919-33; WWAA 1938-47.
Cyrus Currier Sr. settled in New Jersey in about the year 1835, residing first in Livingston and later in Newark. He soon secured employment at the shops conducted by Seth Boyden, one of America’s leading inventors. There, Cyrus Currier, and excellent workman, helped in the construction of the first two outside connecting-rod locomotives ever built. They were for the Morris & Essex and Orange & Essex Railroads. His sons,were Osceola and Cyrus Bates.
In March, 1842, Cyrus Currier had acquired ability and capital enough to establish a plant known as Currier, Davis and Jacobus. He specialized, at first, in paper making machinery, and around this time also built a lithograph press for his cousin Nathaniel Currier, a lithographer in New York City. His blacksmith shop, foundry and machine shop enterprise, occupied an establishment at Commerce Street 23 and New Jersey Railroad Avenue, now Railroad Place.
The firm name was changed in the ensuing years; from Currier, Davis and Jacobus, to Currier and Jacobus, to Currier and Sanford, to Cyrus Currier , and finally Cyrus Currier and Sons. With the foresight that makes for ultimate success, Cyrus Currier inculcated to his sons, Osceola, Cyrus, and Francis, the principles of his business and manufacturing method so that they might carry on a tradition that he was fast erecting. He had built a large lathe for finishing paper mill dryers, which he finished personally, chipping and filing it by hand; no mean mechanical feat. The first transfer press for printing United States paper currency was a product of his shop. The early equipment and engines for drawbridges were also from the plant of Cyrus Currier. In inventive fields he perfected numerous original attachments for leather manufacturing and finishing machinery, a fitting endeavor for a member of the Currier family.
During the years of a long and successful commercial life, Cyrus Currier maintained intimate friendships with both his cousin Nathaniel Currier of Currier & Ives notoriety, his former employer Seth Boyden, and inventor Thomas A. Edison, the Edison Laboratories being a regular customer of the Currier firm.
Cyrus Currier resided in the Roseville section of Newark, settling there when it was a suburb of the thriving city of which it is now a part. At the time of his death Mr. Currier resided at No. 566 Warren Street. Died, at Newark, New Jersey, December 6, 1892 Married, first, in Lowell, Massachusetts, October 2, 1836, Nancy Maria Roper who died at Newark, New Jersey, October 28, 1853. Married, second, in Newark, New Jersey, April 26, 1857, Charlotte Axford, who died at Newark, New Jersey, September 25, 1902.
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- Dimensions
- 10ʺW × 1.25ʺD × 8ʺH
- Styles
- Impressionist
- Art Subjects
- Landscape
- Frame Type
- Framed
- Period
- Early 20th Century
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Canvas
- Oil Paint
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Brown
- Tear Sheet
- Condition Notes
-
Good
Canvas laid down on vintage cardboard.
Good
Canvas laid down on vintage cardboard. less
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