Details
- Dimensions
- 25.5ʺW × 1ʺD × 35ʺH
- Art Subjects
- Figure
- Frame Type
- Unframed
- Period
- 1960s
- Item Type
- Vintage, Antique or Pre-owned
Shop Sustainably with Chairish
- Materials
- Aquatint
- Etching
- Glass
- Paper
- Pencil
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Mint
- Condition Notes
- Original print. The work has not been examined out of the frame; appears to be in very good condition. Slight … moreOriginal print. The work has not been examined out of the frame; appears to be in very good condition. Slight toning to paper along outer edges. A few minor fox-marks scattered throughout. less
- Description
-
Aquatint etching on paper, framed (with glass).
Numbered, signed and dated in pencil along lower edge: "75/100 De Lamonica New … more Aquatint etching on paper, framed (with glass).
Numbered, signed and dated in pencil along lower edge: "75/100 De Lamonica New York 67".
Sheet: 31 x 22 in.
Born in Ponta Pora, Brazil, Roberto de Lamonica was a master printer, painter and professor.
He began his studies in the School of Fine Artsin São Paulo, then worked at the São Paulo Art Museum under the guidance of Poty and Darel, later studying printmaking with Renina Katz. In 1958 he moved to Rio de Janeiro and studied with Orlando da Silva at the Liceu de Artes e Ofícios. The following year, he studied under Johnny Friedlaender at the Museum of Modern Art in Rio de Janeiro.
In 1963, he was invited to teach at the Minneapolis School of Fine Arts. He received a Guggenheim Fellowship in 1965 and settled in New York City in 1967, where he taught printmaking at several institutions, including the New School for Social Research, the Pratt Gtraphics Center and the Art Students League. In the early '80s he spent two years at the Sydney College of Art in Australia creating a new graphics department for the school. less
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