'A View of Kawasaki', After Utagawa Hiroshige 歌川廣重, Ukiyo-E Woodblock, Tokaido

Description

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the Rokugō Ferry in Kawasaki, circa 1850. … more An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the Rokugō Ferry in Kawasaki, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japanese, 1797-1858) and printed circa 1946 by Gihachiro Okuyama (1907-1981). An exceptionally crisp image with fresh color, printed on traditional Washi paper and showing delicate bokashi gradation of sumi ink in the foreground, horizon and upper sky. Sheet Dimensions: 10.25 H x 15.25 W inches.

The Rokugo River (known now as Tama) was one of eight ferry crossings that existed along the Tōkaidō. Because of its proximity to the shogunal capital Edo, the Tokugawa shogunate feared a bridge at this location could be used by invading forces, and it thus opted not to construct one. On the other side of the river we see the post village of Kawasaki, and an official checking travel papers at the gates. Another party traveling in the opposite direction waits on the bank for the return trip. In the distant background is Mt. Fuji, which looms over the countryside.

This example is from Okuyama's mid-century reissue of the artist's "Fifty Three Stations of the Tokaido Road", a series of Ukiyo-e prints created between 1833 and 1855. These depicted various views of the most important five main trade roads connecting Kyoto to modern-day Tokyo during the Edo period (1603-1868). A comic poem or "kyoka" also appears, inscribed in elegant kuzushiji script.

The best-known student of Utagawa Toyohiro (ca.1773-1829), Utagawa Hiroshige studied the Western style introduced by the founder of the Utagawa school, Toyoharu (1735-1814). Together with Hokusai, Hiroshige is considered one of the two leading Japanese landscape painters of the nineteenth century and he became one of the foremost representatives of the Ukiyo-e movement. He created more than 400 woodcut and woodblock prints of actors, warriors, courtesans and, particularly, naturalistic landscapes of Japan. Hiroshige's work was highly regarded in his own time and also became influential in the development of European Modernist painting of the late nineteenth century, especially that of the Impressionists and Post-Impressionists including Monet, Van Gogh and Gauguin.

(For descriptions of the individual works, we are indebted to Nicholas Scaglione and Professor Ingrid Furniss of Lafayette College). [H03] less