Regency Early 19th Century Small Bronze Sculpture Bust of William Roscoe by William Spence

Description

1 British Small Important Early 19th Century Antique Regency Bronze Sculpture Bust of William Roscoe by William Spence.
Impress your … more 1 British Small Important Early 19th Century Antique Regency Bronze Sculpture Bust of William Roscoe by William Spence.
Impress your clients & guests in your office or home with this incredible detailed sculpture of William Roscoe.
Subject known person William Roscoe shown in front profile, quarter length view, having such a fabulous patina which you will love & cherish, also having such crisp surface detail.
A rather nice display size being 15 cm high and 6.3 cm in depth.
Signed on the back with inscription published by Edward Flower, Liverpool and modelled by Spence'.
Here we jave a rather fine rare example as his bust is almost identical to a small marble bust that is held in the collection of the National Portrait Gallery, London (NPG 4147), this sculpture model is believed to be a reduced size version of the bust that was exhibited by the sculptor Spence at the Liverpool Academy in 1813. Only half a dozen where ever issued at around the end of the Regency era 1820.
Made from the finest cast bronze.
Origin from Britain.
Circa early 19th century Regency era.
Provenance from a high end auction in the Shires with label underneath also older label inside the sculpture.
Highly desirable sought after by collectors.
Perfect to suit and home interior design theme.
By the known British listed sculptor He was born in Chester in 1793 and showed artistic talent at an early age. He was sent to Liverpool to study drawing and carving under a Mr Pether. In Liverpool he met and befriended John Gibson who was working nearby at Samuel Francey's yard and got Spence a job in this yard. Spence went into partnership with Francey in 1819.
He exhibited at the Royal Academy from 1821 to 1844 bearing inscription to reverse 'published by Edward Flower, Liverpool and modelled by Spence'.
He was given the post of Professor of Drawing at Liverpool Academy of Arts. He died in Liverpool in 1849.
William Roscoe (8 March 1753 – 30 June 1831) a known Liverpudlian he was a lawyer, banker, abolitionist MP also a public man who promoted his city's cultural development as well as being an author & scholar, he alos loved to collect art. He is best known as one of England's first abolitionists, and as the author of the poem for children The Butterfly's Ball, and the Grasshopper's Feast. In his day he was also respected as a historian and art collector, as well as a botanist and miscellaneous writer.
His early life he was born in Liverpool, where his father, a market gardener, kept a public house called the Bowling Green at Mount Pleasant. Roscoe left school at the age of twelve, having learned all that his schoolmaster could teach. He assisted his father in the work of the garden, but spent his leisure time on reading and study. Later, he wrote:
This mode of life gave health and vigour to my body, and amusement and instruction to my mind; and to this day I well remember the delicious sleep which succeeded my labours, from which I was again called at an early hour. If I were now asked whom I consider to be the happiest of the human race, I should answer, those who cultivate the earth by their own hands.
At fifteen he began to look for a suitable career. A month's trial of bookselling was unsuccessful, and in 1769 he was articled to a solicitor. Although a diligent student of law, he continued to read the classics, and made the acquaintance with the language and literature of Italy which was to dominate his life.
In 1774, he went into business as a lawyer, and in 1781 married Jane, second daughter of William Griffies, a Liverpool tradesman; they had seven sons and three daughters. Roscoe had the courage to denounce the trans-Atlantic slave trade in his native town, where, at that time, a significant amount of the wealth came from slavery. Roscoe was a prominent Unitarian. His outspokenness against the slave trade meant that abolitionism and Unitarianism were linked together in the public mind. He was a member of Renshaw Street Unitarian Chapel.
In 1796 Roscoe gave up legal practice, and toyed with the idea of going to the bar. Between 1793 and 1800 he paid much attention to agriculture, and helped to reclaim Chat Moss, near Eccles, Lancashire. He also succeeded in restoring to good order the affairs of a banking house in which his friend William Clark, then resident in Italy, was a partner. This led to his introduction to the business, which eventually proved disastrous.
Roscoe was elected Member of Parliament for Liverpool in 1806, but the House of Commons was not for him, and at the dissolution in the following year he stood down. During his brief stay however, he was able to cast his vote in favour of the successful abolition of the slave trade.
In the early 1800s, he led a group of Liverpool botanists who created the Liverpool Botanic Garden as a private garden, initially located near Mount Pleasant, which was then on the outskirts of the city. In the 1830s the garden was moved to Wavertree Botanic Gardens; remnants of the collection can still be found in the walled garden at Croxteth Hall.
The commercial troubles of 1816 brought into difficulties the banking house with which he was connected, and forced the sale of his collection of books and pictures. Dr S.H. Spiker, the king of Prussia's librarian, visited Roscoe at this difficult time. Roscoe said he still desired to write a biography of Erasmus but lacked both leisure and youth. The project was never carried out. Around this time Roscoe was asked to investigate the claims of the blind girl Margaret M'Avoy, who was said to be able to read using her fingers, at the request of Sir Joseph Banks. Roscoe concluded that her amazing abilities were due to the fact that she was not blind.
After five years struggling to discharge the liabilities of the bank, the action of some creditors forced the partners into bankruptcy in 1820. For a time Roscoe was in danger of arrest, but ultimately he received an honourable discharge. On the dispersal of his library, the volumes most useful to him were secured by friends and placed in the Liverpool Athenaeum of which he had been a founding member in 1797. The sum of £2,500 was also invested for his benefit.
Roscoe was also closely associated with the formation of the Liverpool Royal Institution in Colquitt Street, first as chairman of the General Committee and subsequently as its first President.
Having now resigned commercial pursuits entirely, he found a pleasant task in the arrangement of the great library at Holkham Hall, the property of his friend Thomas Coke.
In the 1820s he started to publish his important work on the reorganisation of the Zingiberales order of flowering plants. This was called Monandrian Plants of the Order Scitamineae: Chiefly Drawn from Living Specimens in the Botanical Gardens at Liverpool. It was originally issued in 15 parts and then 150 copies of the complete set were published. The Scitamineaen order (nowadays Zingiberales), almost exclusively tropical in origin, includes the canna lilies, arrowroot, ginger, and turmeric. Roscoe provides 1 or 2 pages of text for each of 112 specimens, giving the plant's binomial, a technical description followed by a fuller more general description, and ending with "observations" (notes on where the plant is from, who has described it previously, and often when the drawing of the plant was made) and "references" (brief explanations of the small numbered dissections found on each plate.
Roscoe showed considerable moral courage as well as devotion to study. He had many friends. Posterity is not likely to endorse the verdict of Horace Walpole, who thought Roscoe the best of our historians, but his books on Lorenzo de' Medici and Pope Leo X remained important contributions to historical literature. Many of his collection of paintings, dispersed in auctions during his financial troubles, remained in Liverpool and later reached the Walker Art Gallery, which in 2015 had extra labels marking them out as once part of Roscoe's collection. Roscoe was a relatively early collector of the "Italian Primitives". He died on 30 June 1831 and was buried in the Unitarian Grave Yard at Mount Pleasant, a memorial plaque indicates the approximate spot of his grave.
His poem, Mount Pleasant, was written when he was sixteen, and together with other verses, now forgotten, won the esteem of critics. He wrote a long poem published in two parts called The Wrongs of Africa (1787–1788), and entered into a controversy with an ex-Roman Catholic priest called Fr Raymond Harris, who tried to justify the slave trade through the Bible (and was generously paid for his efforts by Liverpool businessmen involved with the slave trade). Roscoe also wrote a pamphlet in 1788 entitled "A General View of the African Slave Trade". Roscoe was also a political pamphleteer, and like many other Liberals of the day hailed the promise of liberty in the French Revolution.
Meanwhile, he had pursued his Italian studies, and had carried out research, which resulted in his Life of Lorenzo de' Medici, which appeared in 1796, and gained him a reputation among contemporary historians. It was often reprinted, and translations in French, German and other languages show that its popularity was not confined to Britain. Angelo Fabroni, who had intended to translate his own Latin life of Lorenzo, abandoned the idea and persuaded Gaetano Mecherini to undertake an Italian version of Roscoe's work. Roscoe's translation of Luigi Tansillo's Nurse appeared in 1798, and went through several editions. It is dedicated in a sonnet to his wife, who had practised the precepts of the Italian poet.
The Life and Pontificate of Leo the Tenth appeared in 1805, and was a natural sequel to his previous work of history. The new work, whilst it maintained its author's fame, did not meet with so favourable a reception as the Life of Lorenzo. It was frequently reprinted, and the insertion of the Italian translation in the Index Librorum Prohibitorum did not prevent its circulation even in the Papal States.
He wrote the Sonnet on Parting with his Books on the 1816 sale of his library. In 1822 he issued an appendix of illustrations to his Lorenzo and also a Memoir of Richard Robert Jones of Aberdaron, a remarkable self-taught linguist. The year 1824 was memorable for the death of his wife and the publication of his edition of the works of Alexander Pope, which involved him in a controversy with William Lisle Bowles. His versatility was shown by the appearance of a folio monograph on the Monandrian Plants, which was published in 1828. The last part came out after his recovery from a stroke.
In addition to these, Roscoe wrote tracts on penal jurisprudence and contributed to the Transactions of the Royal Society of Literature and of the Linnean Society. The first collected edition of his Poetical Works was published in 1857, and is sadly incomplete, omitting, with other verses known to be from his pen, the Butterfly's Ball, a fantasy, which has charmed thousands of children since it appeared in 1807. Other verses are in Poems for Youth, by a Family Circle (1820).
Family Roscoe and his wife had seven sons and three daughters, including William Stanley Roscoe (1782–1843), a poet, Thomas Roscoe (1791–1871), translator from Italian, and Henry (1800–1836), a legal writer who wrote his father's biography. Henry's wife, Maria Roscoe, née Fletcher (1798–1885), wrote a biography of Vittoria Colonna, and their son Henry Enfield Roscoe (1833–1915) was a chemist and vice-chancellor of the University of London. Daughter Mary Anne was known as a poet by her married name Mary Anne Jevons, and was the mother of William Stanley Jevons. Roscoe's daughter-in-law, Margaret Roscoe was one of the illustrators for his publication Monandrian Plants of the Order Scitamineae: Chiefly Drawn from Living Specimens in the Botanical Gardens at Liverpool.
Artistic recognition A bust of Roscoe dated 1816 by John Gibson is held in the Royal Institution in Liverpool. Miniature bronze bust of William Roscoe (1753–1831). He is depicted as aged approximate 60, with his characteristic features of having a pouchy jowls also thick brows, although he bears is virile youthful neck with rather thick curled hair & he as a receding hairline.
Browse our other exciting Fine Arts, antiques & collectibles available in our shop gallery.


Dimensions in centimetres

High (15 cm)
Width of base (8 cm)
Length depth point (6.3 cm)
Depth of base (5.1 cm) less