Torino, IT
Details
- Dimensions
- 19.69ʺW × 25.59ʺH
- Art Subjects
- Animals
- Period
- Early 21st Century
- Item Type
- Vintage, Antique or Pre-owned
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- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Condition Notes
- Excellent — This vintage piece is in near original condition. It may show minimal traces of use and/or have slight … moreExcellent — This vintage piece is in near original condition. It may show minimal traces of use and/or have slight restorations. less
- Description
-
Beautiful realist work, Parrot Ara Luisa Albert is a masterful interpreter of the realist school close to Flemish painting. Still …
more
Beautiful realist work, Parrot Ara Luisa Albert is a masterful interpreter of the realist school close to Flemish painting. Still lifes and beautiful animals are treated with great skill. Luisa Albert lives and works in Turin, the city where she was born in 1969. After graduating from the Illustration department of the European Institute of Design in Milan, she began collaborating with some publishing houses. In 1993 she approached the world of painting thanks to the teachings of Ottavio Mazzonis, her continuous and valuable point of reference. He exhibited for the first time in a group show at the Galleria Dantesca in Turin in 1996. Since then he has participated in more than 50 group and solo exhibitions in Italy and abroad, and his works can be found in the galleries Forni in Bologna, Pirra in Turin, Friedmann-Hahn in Berlin, and Francis Iles in Rochester. His "houses" have now become collector's items throughout Europe. The Artist studies their lights and warmth, choosing the most suitable time of day to portray them, thus rendering the feeling that those who live there have just left the room. Still lifes and figures complete the pictorial production: his are the portraits of some presidents of the Piedmont Regional Council, exhibited at Palazzo Lascaris, of Toro Assicurazioni and Fondazione CRT. In 2011 he won the competition to execute the altarpiece for the Church of San Michele Arcangelo in Cento. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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