Roma, IT
Details
- Dimensions
- 12.6ʺW × 17.32ʺH
- Art Subjects
- Figure
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Paper
- Condition
- Unknown, Some Imperfections
- Color
- Ivory
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. Please note that … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. Please note that an additional handling period of up to 4 weeks may apply to this item less
- Description
-
Ragged Peasant with His Hands behind Him, Holding a Stick is an engraving on ivory-colored paper realized by Charles Amand …
more
Ragged Peasant with His Hands behind Him, Holding a Stick is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 19th century. Good conditions. Superb etching through deft strokes, strong mastery in expression through an impression of virtuous old master's touch. Rembrandt known simply as Rembrandt (Leiden, 15 July 1606 - Amsterdam, 4 October 1669), was a Dutch painter and engraver. He is generally considered to be one of the greatest painters in European art history. Having achieved great success as a portrait painter from a young age. His drawings and paintings were already popular during his lifetime. Rembrandt's greatest creative triumphs are especially evident in the portraits of his contemporaries, his self-portraits, and illustrations of scenes from the Bible. In both painting and printing, he exhibited a thorough knowledge of classical iconography. Charles Amand Durand (1831-1905) Eager to save the masterpieces of the Great Masters of Graphics of the Modern Age, whose plates already at the time of Durand were for the most part irreparably compromised, Durand dedicated a major part of his life to recreating in exact detail the engraved plates of Rembrandt & other old Masters. His work was recognized as innovative and of high quality not only by scholars and dealers, but also by important European art institutions. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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