Flaviana Chiarotto, Espansione Infernale, Mixed Media, 2021

Description

The creative activity of Flaviana Chiarotto presents itself in the name of an engaging and coronal operation, in the sense … more The creative activity of Flaviana Chiarotto presents itself in the name of an engaging and coronal operation, in the sense that the mental connotations are enriched with that fluid vibratity of the heart, which it refers every time it sets hand to the palette , without ever forgetting that the interview "par images" is a continuous, incessant and exhilarating communicative process entrusted to a research that is not only stylistically technique, suggestively unpredictable in its results, but also, if not above all, refinement and improvement of A language that no artist must ever consider definitively achieved or completely obvious. Aware of all this, a light Flavian born on April 8, 1954 in Loreo, province of Rovigo, and residing in Piedmont, transfolds in his paintings that "Élan Vital" Bergsonian who has emphasized, projection and cathartic prison at the same time.
By virtue of this uncommon prerogative, it can communicate moments that are from time to time expressions of tenderness, affection, reflection, abandonment, waiting, hope, nostalgia, truth or everyday life, as they are dispensers of Memorial evocations, of folding in the search for distant memories or segments of the soul sedimented in her since the era of the fuck.
The jovial exuberance that largely promises from his canvases, even if sometimes diluted by the mask of his melancholy, as a sort of autobiographical reflective mirror, and tasty fruit of a indole, such as that of the Venetian painter, open, sunny , transparent in the apecio with his own fellow men, not knowing it the slow and acrimonious corrosion of advance, negative feeling that is very widespread in the artistic environment, which ends inevitably by consultation those of it of it nourishes or performed are pleased.
The painting of light, gratified by qualifying awards, is the light emanation, with endless, complementary winnings of good-natured UMBratility, of a temperament that is defended with lovable immediacy in the simplicity of feeling and in the genuineness lavished in the works, the What they talk about her, her vision of the world and put us in tune with the fragrance of her being poetically a woman.
Text extracted from the book: "The woman in the history of art" by Giuseppe Nasillo, Edizioni Pentarco Torino
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