Roma, IT
Details
- Dimensions
- 5.51ʺW × 3.94ʺD × 17.72ʺH
- Period
- Early 21st Century
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Bronze
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. Please note that … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. Please note that an additional handling period of up to 4 weeks may apply to this item less
- Description
-
Statue of a woman is a bronze sculpture realized by Fabrizio Savi in 2012. Body of a woman with no …
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Statue of a woman is a bronze sculpture realized by Fabrizio Savi in 2012. Body of a woman with no face involved in a slight twist. The legs take shape from the bronze material sketched at the base. Artwork created for the Alma Pales Prize, in 2012. Certificate of authenticity on label placed on the back of the base. Copy 27/30 45x14 cm with base in wood. Engraved signature on the wooden base. Excellent conditions. Fabrizio Savi (1973) measures himself very young with sculpture, dealing with themes of social protest. It will be the years of the Academy of Fine Arts in Macerata, in which he will deepen sculpture and where he will face the new languages of computer art and the new alphabet linked to the beginnings of technology. In 1986 he will participate in the Fourth Review of the Electronic Art Festival of Camerino with the interactive work Halley, in those years the most important and complete review of electronic arts in Europe. He experiments with Design, his other passion, obtaining considerable results and filing two patents, continuing in parallel, new series of sculptures. In the 2000s, he designs the sculptural groups called Evanescent lights in the limelight are made in different sizes and materials, a true immersion and deepening of the theatrical concept. The following year he designs a multimedia system in which sounds, music, lights and design interact. He is currently carrying on the research begun in the 1980s, in which he brought together sounds, music and digital art, and in recent years he has been producing design-sculptures accompanied by luminous support. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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