Max Klinger, Landslide, Etching and Aquatint, 1881

Description

Image dimensions: 42.4x29.5 cm. Landslide from "Intermezzi" is an original print realized by Max Klinger in 1881. Signature and number … more Image dimensions: 42.4x29.5 cm. Landslide from "Intermezzi" is an original print realized by Max Klinger in 1881. Signature and number of the print on plate. Black and white etching and aquatint. Original title: Bergsturz The artwork is from the portfolio Intermezzi, Opus IV, published by Theo Stroefer's Kunstverlag, Munich, in 1881. Good conditions except for little folds along the margins. The portfolio is composed of 12 plates, unrelated to any conceptual link, whose title is a clear reference to music production. The suite was designed by the engraver and art dealer Herman Sagert. The two initial and final plates are the intermezzos, whilst the other eight depict mythological and literary themes. The plates from 3 to 6 represent centaurs, while from 7 to 10 they illustrate "Simplicius Simplicissimus", a picaresque novel of the lower Baroque style, written in 1668 by Hans Jakob Christoffel von Grimmelshausen, and inspired by the events of the Thirty Years' War. Plate number VI, Bergsturz, represents a mountain landscape where a landslide has just occurred. The majesty and power of nature don't seem to lose the mind of the centaurs who make their way through the rocks advancing along their path. Reference: "Max Klinger Inconscio, mito e passioni alle origini del destino dell'uomo" curated by Patrizia Foglia and Diego Galizzi, Ceribelli Editore, 2019, p.45 This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



issues arising from misattribution less