Details
- Dimensions
- 13ʺW × 5ʺD × 14ʺH
- Styles
- Aesthetic Movement
- Dada
- Brand
- Wiener Werkstätte
- Styled After
- From Vienna
- Period
- 1910s
- Country of Origin
- Austria
- Item Type
- Vintage, Antique or Pre-owned
Shop Sustainably with Chairish
- Materials
- Pottery
- Condition
- Original Condition Unaltered, Needs Restoration
- Color
- Green
- Condition Notes
- Please note photo of two small chips on the top of one rim It’s been in my collection for years … morePlease note photo of two small chips on the top of one rim It’s been in my collection for years and chose never to have it in store for me. Very minor restoration. Rest of the piece is in excellent condition. No repairs and restoration. Fantastic, rare glaze shape form and style less
- Description
-
Extremely rare early large piece. Very few known examples of this size ,and style known .Fantastic colors glaze and modernist …
more
Extremely rare early large piece. Very few known examples of this size ,and style known .Fantastic colors glaze and modernist artwork.
The Wiener Werkstätte (Viennese Workshops) was one of the longest-lived design movements of the twentieth century and a key organization for the development of modernism. Centered in the Austrian capital, it stood at the doorway between traditional methods of manufacture and a distinctly avant-garde aesthetic. The Wiener Werkstätte's emphasis on complete artistic freedom resulted in a prodigious output of designs, and this, along with an army of skilled craftsmen and a complex network of production and distribution made it the standard for Austrian design between the dawn of the century and the depths of the Great Depression. Led by the unassuming architect Josef Hoffmann and his associates such as Dagobert Peche and Koloman Moser, the Wiener Werkstätte drew from movements such as the Arts & Crafts and Art Nouveau as well as from traditional folk art, and forecasted the flowering of Art Deco and the International Style in the interwar period. Its demise in the midst of repeated financial crises demonstrates the ultimate inability of artistic enterprises to completely free themselves from the economic concerns of the age. less
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