Roma, IT
Details
- Dimensions
- 27.56ʺW × 0.79ʺD × 27.56ʺH
- Art Subjects
- Abstract
- Item Type
- Vintage, Antique or Pre-owned
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- Condition
- Unknown, Some Imperfections
- Color
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. Please note that … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. Please note that an additional handling period of up to 4 weeks may apply to this item less
- Description
-
Abstract Composition is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2022 Original Oil Painting on Canvas. …
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Abstract Composition is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2022 Original Oil Painting on Canvas. Hand signed and dated on the lower right margin. Hand signed, dated on the back of the canvas. Good conditions. Giorgio Lo Fermo is an Italian painter and sculptor. He was born in Sicily in 1947, but has lived and worked in Rome since the mid-1960s. He studied at the School of Arts and Crafts of San Giacomo and then Sociology of Art at the University of Rome. His innovative style took form in the 70s, in the stimulating atmosphere of the new Rome, re-born through the creative vitality of Fellini and Rossellini. Lo Fermo’s style is a studied symbolic elaboration of varying rhythms, in which objectivity and logic give way to a liberal expression of the dynamic content. His concept is reanimated in color and in aesthetics, which take kinetic paths toward both reality and fantasy, connecting themselves intimately with experience and interior tension. During his career, Giorgio Lo Fermo has participated in international exhibitions in New York (1992), Stockholm (1992), Budapest (1992/1993), Hong Kong (1994) and in the International Art Competition of New York in 1995. He won several important recognitions and awards: the Italian Art Leader Award ’92, the Art and World Prize of Hong Kong in 1994; he was also nominated member of the Accademia Internazionale Greci/Marino. The major galleries in Rome, such as A. Consorti, Gradiva, Babuino and Yanika, exhibit his canvases, and his work is held in private collections both in Europe and in America. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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