Details
- Dimensions
- 9.45ʺW × 12.99ʺH
- Art Subjects
- Figure
- Period
- 2000 - 2009
- Item Type
- Vintage, Antique or Pre-owned
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- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. Please note that … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. Please note that an additional handling period of up to 4 weeks may apply to this item less
- Description
-
This work entitled "A day in Florence" is a table of the graphic novel published in 2016 by Kleiner Flug …
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This work entitled "A day in Florence" is a table of the graphic novel published in 2016 by Kleiner Flug in Italy "Benvenuto Cellini". The work was done by Vincenzo Bizzarri in 2015 with ink and watercolor on 200gr paper (33x24cm). The condition of the work is good, it may have small imperfections and creases on the edges. The author's signature is on the back of the sheet. The graphic novel "Benvenuto Cellini" is a historical biography inspired by the autobiography of the homonymous character. Benvenuto Cellini tells stories of his profession as a goldsmith and sculptor, of his warlike and amorous adventures and mentions many characters and historical events of his time. The graphic novel highlights these elements through a personal, sometimes comic and grotesque eye. Vincenzo Bizzarri Born in 1987. In 2016 he published “Benvenuto Cellini” (Kleiner Flug) and “Il Paese dei tre santi” (Sarbacane). Republished also in Italy and Germany, the latter received the “Selection Polar” nomination at the Angouleme festival in 2018. In 2017 he published "Il Gran Ghetto" (Hazard Edizioni) and distributed together with the Gazzetta del Mezzogiorno. In 2019 he published with “1789 - La naissance d'un monde ”and“ 1789 - La mort d'un monde ”, two albums on the French revolution and in 2021 the biographical graphic novel "Jean Gabin" (Glénat). Currently he continues to collaborate with various Italian and French publishing houses. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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