Details
- Dimensions
- 11.42ʺW × 16.54ʺH
- Art Subjects
- Figure
- Period
- 2000 - 2009
- Item Type
- Vintage, Antique or Pre-owned
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- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Blue
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. Please note that … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. Please note that an additional handling period of up to 4 weeks may apply to this item less
- Description
-
This work entitled "Beaumarchais speaks about Bailly" is a comic board belonging to the graphic novel published by Glènat Edition …
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This work entitled "Beaumarchais speaks about Bailly" is a comic board belonging to the graphic novel published by Glènat Edition in 2019 "1789 - La mort d'un monde". The work was made by Vincenzo Bizzarri between 2018 and 2019, total work duration of the entire graphic novel. The work is made with ink and watercolor on a pencil draft printed in light blue on 200gr A3 paper (42x29.7cm). The condition of the work is good (there may be small imperfections and creases on the edges). The author's signature is on the back of the sheet. The graphic novel "1789 - La mort d'un monde" is one of two complementary books that tell the fateful time of the storming of the Bastille and the months that followed. Each of the two books tells us the events of the French Revolution from two opposing points of view (Nobility and Third Estate). Vincenzo Bizzarri Born in 1987. In 2016 he published “Benvenuto Cellini” (Kleiner Flug) and “Il Paese dei tre santi” (Sarbacane). Republished also in Italy and Germany, the latter received the “Selection Polar” nomination at the Angouleme festival in 2018. In 2017 he published "Il Gran Ghetto" (Hazard Edizioni) and distributed together with the Gazzetta del Mezzogiorno. In 2019 he published with “1789 - La naissance d'un monde ”and“ 1789 - La mort d'un monde ”, two albums on the French revolution and in 2021 the biographical graphic novel "Jean Gabin" (Glénat). Currently he continues to collaborate with various Italian and French publishing houses. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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