Serving It Sculpture No.3 by Milla Maple

Description

Serving it sculpture no.3 by milla vaahtera dimensions: h 28 x w 28 materials: glass in 2021 milla vaahtera started … more Serving it sculpture no.3 by milla vaahtera dimensions: h 28 x w 28 materials: glass in 2021 milla vaahtera started a series of unique sculptural and blown glass serving objects. These objects are useful as serving or as vases, but most importantly they are sculptures. Milla vaahtera is beginning a new series rethinking the objects of home as sculptures. Glassblowers: paula pääkkönen, sani lappalainen, otto koivuranta, jukka viuha, penna tornberg and many other glassblowers from nuutajärvi. Vaahtera began to work on this series in may 2017 together with glassblowers paula pääkkönen, sani lappalainen, pauli vähäsarja, henni eliala and jonas paajanen of nuutajärvi. The metal parts were prepared by silversmith kirsi kokkonen together with milla vaahtera. The method was based on dialogue with the glass artists, improvisation and intuition. The ethereal pieces are a revival of the mobile tradition that emerged in the 1930s.the heavy glass parts and the delicate brass seek a balance with each other, thus creating tensions within the works. Milla vaahtera (born 1981) is a designer and an artist working in helsinki. The themes of her works extend from body image and sexuality to intuition and dialogues in the creative progress. Vaahtera has graduated as a master of arts in 2010 from aalto university, the school of arts, design and architecture. She did her ba studies in lahti institute of design in 2008. Her work is featured in several exhibitions at galleries and museums including the design museum finland, lokal gallery and uu market. She is most known of her dialogue series, mobiles and stabiles, in which she combines bold glass parts with delicate brass. The process of making dialogue pieces is based on dialogue and improvisation. Vaahtera is passionate to revive the finnish heritage of glassblowing and give young generation of makers new opportunities to deepen their skills. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



issues arising from misattribution less