Details
- Dimensions
- 25.59ʺW × 18.11ʺD × 30.71ʺH
- Period
- Early 19th Century
- Country of Origin
- France
- Item Type
- Vintage, Antique or Pre-owned
Shop Sustainably with Chairish
- Materials
- Oak
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Brown
- Condition Notes
- Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal … moreGood — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs. less
- Description
-
Magnificent piece of furniture known as collectors in solid oak. It has a display case in the upper part and …
more
Magnificent piece of furniture known as collectors in solid oak. It has a display case in the upper part and opens on the front with 4 drawers.
This centerpiece piece of furniture is based on a plinth and has a secret closing mechanism.
Period: Louis-Philippe - Beginning of the 19th
Circa: 1835 - 1840
Dimensions: Height: 78cm x Width: 65cm x Depth: 46cm
In the 19th century, the collection became a social fact, certainly because it in turn embodied the educational role of the Republican discourse, then the desire to fill the private sphere with art, in the face of the fear of the new world which was born at the end of the century.
In the 1840s: the collector is seen as an asocial eccentric. He is passionate but more associated with the madman than with the scholar.
Often solitary, the latter's collection is a refuge for him. However, the practice of collecting spreads and gradually contaminates the bourgeois \.
In the 1860s, the opening of the Drouot auction house brought together the most learned Parisians. The development of private collections is done at the same time as the opening of some museums (the Cluny 1844 museum - the Saint-Germain-en-Laye 1854 national antiquities museum).
Collectors have therefore acquired real legitimacy and are no longer on the margins but at the head of civil society. The practice gradually affected all the amateurs whose number increased from year to year and then became a fact of fashion, but this only attested from the 1870s.
In the 1870s everyone collected. The practice of collecting has become a norm. These are then very diversified since everyone collects, it is necessary to stand out by the works and objects collected. The collection thus encourages the sociological analysis of its constitution, what is collected reflects the tastes and social environment of the collector. less
Featured Promoted Listings
Related Collections
- 1940s China Cabinets
- Bar Cabinets With Shelves
- 1980s China Cabinets
- 1950s China Cabinets
- 1970s China Cabinets
- 1960s China Cabinets
- Børge Mogensen China and Display Cabinets
- 1970s Hutch
- L. and J.G. Stickley, Inc. China and Display Cabinets
- Tomlinson China and Display Cabinets
- China and Display Cabinets in Salt Lake City
- François Linke China and Display Cabinets
- Charcoal China and Display Cabinets
- Olive China and Display Cabinets
- Tulipwood China and Display Cabinets
- China and Display Cabinets in Louisville
- Aqua China and Display Cabinets
- Industrial Metal China and Display Cabinets
- Plywood China and Display Cabinets
- Bakelite China and Display Cabinets
- Forest Green China and Display Cabinets
- Osvaldo Borsani China and Display Cabinets
- Bodafors China and Display Cabinets
- Guillerme et Chambron China and Display Cabinets
- Howard Miller China and Display Cabinets