Rozzano, IT
Details
- Dimensions
- 6.3ʺW × 1.97ʺD × 11.81ʺH
- Period
- 16th Century
- Country of Origin
- China
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Walnut
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Beige
- Condition Notes
- Heavy Signs of Use Heavy Signs of Use less
- Description
-
In a realm where time stands still, there exists a 16th-century masterpiece, a sculpture of unparalleled beauty that transports you …
more
In a realm where time stands still, there exists a 16th-century masterpiece, a sculpture of unparalleled beauty that transports you to the heart of the Ming dynasty. Here, in a place of reverence and artistry, sits the Chinese Bodhisattva Guanyin, the embodiment of compassion, enshrined in a form of breathtaking elegance.
Guanyin's divine presence is unveiled as he is seated in padmasana, the lotus position, a symbol of purity and enlightenment. His regal robes cascade gracefully, a testament to the Ming dynasty's exquisite craftsmanship and devotion to detail. The draped royal attire envelopes him like a celestial mantle, elevating his presence to one of divine grandeur.
with hands resting gently in his lap, Guanyin assumes the dhyanamudra, the meditation gesture, inviting you to partake in a moment of serene contemplation. His serene countenance exudes a sense of tranquility and benevolence, offering solace to all who seek it. It is as if the very essence of compassion itself has taken form and resides within this sacred sculpture.
Guanyin's head is adorned with a radiant crown, symbolizing his divine authority and spiritual wisdom. Each intricate detail of the crown speaks of the Ming dynasty's dedication to artistic perfection, casting a luminous halo over the Bodhisattva's serene visage.
But what truly sets this sculpture apart is the position of prettiness that Guanyin embodies. In his graceful posture and divine beauty, he emanates an ethereal charm that transcends earthly bounds. His form radiates an otherworldly loveliness, captivating the hearts of all who behold him. It is as if the very concept of beauty itself finds its embodiment in Guanyin. less
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