Celestial Body III Sculpture by Awaré

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Corps céleste iii unique sculpture by awaré dimensions: l 35 x h 54cm materials: plane tree, naturel dyed silk, pigment, … Read more Corps céleste iii unique sculpture by awaré dimensions: l 35 x h 54cm materials: plane tree, naturel dyed silk, pigment, oxidation awaré is the meeting of the sculptor jérôme pereira and the artist sylvia eustache rools. The work of jérôme pereira questions the balance and the harmony. His sculpture relates this state of grace between tension and fall. Sylvia eustache rools is graduated in textile arts. Her work reveals a taste pronounced for the composition, the handling of textures and colors. The desire to mix their universes and materials was imperative. For him, the wood sculptured, worked in games of masses and balance. For her, colors and textures, in an approach which became a « textile geology. By their creations, they try to go beyond the complementarity. In this zone where takes place the merger. In the manner of the geologic strata which meet to form a single element. Awaré is the melting pot which allows us to translate specifically our interest for the ground material, the rock and their alchemy. A creation of awaré requires techniques and know-how gathered to end in a formal obvious fact. The organic and ground matter of the one, encourages the chromatic deployment of the other one. To achieve that, several stages: - wood carving. - silk painting. - shaping and weld of the wire. - assembly by manual sewing. Why awaré? in japan, mono no aware, means literally, "the beauty of the moving intimacy of things, a form of empathy bound to the feeling of their impermanence." to be aware, it is to be on the alert, informed, attentive, awake. Stakeholder within the alive. States which we look for through our artistic practices. Jérôme pereira work questions balance, inspired by nature forces. His sculptures relate the state of grace between tension and fall. Jérôme pereira creates lighting sculptures with a rough and gracious presence. Coming from a scientific background, his sculptures, as equations, propose a familiar vocabulary (bows, pulleys, rings, cubes, counterweights) opening to an unknown factor. A catalog of shapes with a surrealist consonance leading to a playful combination of tension and equilibrium. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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