Saint-Ouen, FR
Details
- Dimensions
- 14.96ʺW × 14.96ʺD × 16.54ʺH
- Styles
- Contemporary
- Country of Origin
- Belgium
- Item Type
- Made to Order
- Estimated Lead Time: 4 months
- Materials
- Stone
- Color
- Blue
- Description
-
Unique blue marbled salts gueridon, roxane lahidji material: marbled salts, a unique award winning technique developed by roxane lahidji dimensions: …
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Unique blue marbled salts gueridon, roxane lahidji material: marbled salts, a unique award winning technique developed by roxane lahidji dimensions: 42 x 38 x 38 cm unique gueridon. Award winner of bolia design awards 2019 and fd100 and present in the collections of the design museum gent. Lahidji's marbled salts creations in the press: elle decoration nl : ddw17- jan/feb 2018 object rotterdam - feb/march 2018 destandaard magazine - june 2018 elle decoration uk- sept. 2018 boek boq - architecture - oct. 2018 why material matters - oct. 2018 roxane lahidji roxane lahidji is an alchemist as much as a designer. She seeks a reconnection to fundamental materials in objects of our daily lives by developing her own transforming and moulding methods. In terms of design, her intuitive methodology associates concepts with material symbolics and consumption or usage habits, which defines a dwelling function and a final shaping. Fascinated by precious surfaces and their story telling, she works in a constant research for meaning in patterns, textures and shades; focusing on liquid and powdered substances she melts, mixes, fusions into solid objects. With the deep concern of reconciliating production and sustainability, her design focuses on disregarded or cheap materials brought to a new life, while twisting low tech methods and traditional crafts techniques. Roxane lahidji was born in paris in 1992 and grew up in the french capitale before studying illustration and product design in strasbourg (hear). After her bachelor (with distinction), she pursued her research for new design values in design academy eindhoven and graduated from the social design master department in june 2017. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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