SIA "Klasiskās Mākslas Galerija"
Riga, LV
Details
- Dimensions
- 19.29ʺW × 0.39ʺD × 16.54ʺH
- Styles
- Modern
- Period
- 1950s
- Country of Origin
- Latvia
- Item Type
- Vintage, Antique or Pre-owned
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- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Condition Notes
- Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal … moreGood — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs. less
- Description
-
Behind the barn
1950s. Oil on cardboard. 42,5x49,5 cm
"Behind the Barn" is likely to be a captivating and nostalgic … more Behind the barn
1950s. Oil on cardboard. 42,5x49,5 cm
"Behind the Barn" is likely to be a captivating and nostalgic artwork that celebrates the beauty of rural life and the tranquility of the countryside. Through the careful composition and skillful use of oil paints, the artist aims to transport viewers to a simpler and idyllic time, where nature and agriculture coexist in harmony.
Aleksandra Belcova (1892-1981)
Studied at the Art School in Penza (1912-1917), State Free Art Workshops in Petrograd with N. Altman (1918-1919).
Together with her husband Romans Suta, she moved to Latvia in 1919. She was a member of the Riga Artists’ Group (1920 - 1924) and participated in the group exhibitions (1920, 1923). During this time, she created caricatures in the political pages HoHo and Hallo. She took part also in the exhibitions of Riga Graphic Artists’ Association and the Association "Zaļā vārna" (1927-31). She worked in oil, water colors, graphic arts and produced paintings on chinaware at the Baltars workshop in 1924 - 1928.
Solo exhibitions - in Riga (1928, together with R.Suta, 1962 ,1972), Tukums (1963), Leningrad (1972/73), Liepaja (1974), Jurmala (1977). Painted mostly portraits and still life’s. One of the most exquisite representatives of cubism in Latvian painting of the first decade of the 20th century, who later turned to realism.
This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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