Details
- Dimensions
- 9ʺW × 6ʺD × 19ʺH
- Styles
- Art Nouveau
- Figurative
- Period
- 1990s
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Lucite
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Transparent
- Condition Notes
- Excellent condition, no chips, cracks, or repairs. Excellent condition, no chips, cracks, or repairs. less
- Description
-
Frederick Hart lucite sculpture 'Transcendent', signed, numbered #310/350, and dated 1991 at base. Measures 19" tall x 9" x 6". …
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Frederick Hart lucite sculpture 'Transcendent', signed, numbered #310/350, and dated 1991 at base. Measures 19" tall x 9" x 6". Excellent condition, no chips, cracks, or repairs.
"Frederick Hart's 1991 “Transcendent” lucite sculpture is imbued with a truly sublime presence. Female and male figures emerging from the Lucite seem to appear and disappear within the work. This ghostly effect is created through Hart’s unique process of embedment, which involves casting one acrylic work within another. It is a technique the artist patented in 1982, marking the end of a decade of constant experimentation and progression and the beginning of the period of precise refinement. Consistent with his unique poetic vision, the inner, emotional, intellectual, and spiritual forces dominate the work. Imbued with a distinct sense of grace, this piece is a testament to Hart’s remarkable technical abilities and devotion to the craft."
Frederick Hart (b.1943 – d.1999) was an American sculptor. Working within the figurative tradition of American Beaux-Arts sculpture, Hart's approach was that of a craftsman. With little formal schooling, he developed his skills on the job, learning ancient techniques from master carvers. According to J. Carter Brown, Director Emeritus of the National Gallery of Art, “It is breathtaking to see an artist with the technical abilities and devotion to craft of Frederick Hart combine these gifts with an ability to go to the brink with them, but somehow keep the inner, emotional, intellectual and spiritual force of the work dominant." In the words of Tom Wolfe: “Rick is—and I do not say this lightly—America’s greatest sculptor.”
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