Honoré Daumier - Come, My Wife (\.) - Original Lithograph - 1853

Description

Voyons, ma femme (…) is a original b/w lithograph (plate n. 5), from the satiric series La Fluidomanie, composed of … more Voyons, ma femme (…) is a original b/w lithograph (plate n. 5), from the satiric series La Fluidomanie, composed of 12 plates of caricatures “de mœurs” (of behaviours), realized by Honoré Daumier (France, 1808-1879) and published on the French Periodical, Le Charivar,i between May and June 1853. Printed by Charles Trinocq, and edited by the Maison Martinet, Paris. Inscriptions: Monogrammed on stone,. h.D.; 505. Complete Caption: Voyons, ma femme, fais-moi le plaisir de rester encore en peu en communication avec monsieur Adolphe… j’éspère que ça se fera! Second State/II Reference: H. Delteil, Catalogue Raisonné, 2401. Provenance: Ex Collection G. Cognacq (Lugt 538d). Superb original print, full margins, demostrating a great mastery of the graphic tecniques, representing a couple of lovers holding a seance and seraching to contact a spirit from a stovepipe hat! This plate is in very good condition, with a light rednesses of the paper on the margins and a stain on the higher-left margi. Honoré-Victorin Daumier (Marseille,1808 – Valmondois, 1879) The French painter, sculptor, and printmaker, through his artworks, Honoré Daumier, offers us commentary on the social and political life in France, from the Revolution of 1830 to the fall of the second Napoleonic Empire in 1870. Caricatures and cartoons of political figures, satirizing the behavior of his countrymen in newspapers and periodicals was his main activity, for which he became popular in his lifetime and is remebered and appreciate still today. He was a republican democrat whose targets were the bourgeoisie, the church, lawyers and the judiciary, politicians, and the monarchy. His talented and satiric pencil had a very high cost on his life: he was jailed for several months in 1832 after the publication of Gargantua because of a offensive depiction of King Louis-Philippe. Charles Baudelaire noticed the Daumier's production and greatly admired his paintings, which were to have an influence on a younger generation of impressionist and postimpressionist painters. Later generations have come to recognize Daumier as one of the great French artists of the 19th century. Daumier was prolific artist that produced more than 100 sculptures, 500 paintings, 1000 drawings, 1000 wood engravings, and 4000 lithographs. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



issues arising from misattribution less